THE STORIES OF VIZCAYA

Ah, the 1920’s. A time of glitz and glamor, of jazz and flappers. The decade was known for its wild style, as well as the newfound freedom bestowed upon individuals.. During this era, fashion was daring and beautiful, incorporating unique statement pieces like feather boas, pearls, and even headbands.  At Vizcaya, we celebrate the era

Did you know that visitors can paint en plein air in the gardens and follow in the footsteps of American watercolorist John Singer Sargent?
Vizcaya has a new offering for visitors on the first floor of the Main House.  The “Happy Days in Egypt” exhibition is now displayed in the Entrance Hall surrounded objects and architectural elements depicting mythological tales from the ancient world.
Continuing a tradition of community-built immersive art, Processional Arts Workshop (PAW) returned to Vizcaya August 10, 2019, with a lantern parade entitled WEAVE that explored the individual patterns, motifs and textures that come together to create Vizcaya.
Vizcaya’s architectural drawings and construction photographs provide essential information about the estate.
Diego Suarez (1888–1974), was born in Bogotà to a Colombian father and an Italian mother. Following the death of his father, Suarez moved to Florence, Italy, with his family. There he studied architecture at the Accademia di Belle Arti (the Italian equivalent of the French École des Beaux Arts). While still a student, he became
Rococo is a style known for its exuberant natural forms, and it is abundant at Vizcaya. First appearing in France and Italy in the 1730s, Rococo was considered light and theatrical—and it was a bold, but apt, choice for a South Florida winter home. At Vizcaya, you’ll find Rococo design in the sinuous garden parterres,