THE STORIES OF VIZCAYA

Spring Hill Bourbon Whiskey. Vizcaya Museum and Gardens. Despite having its most active years during the age of Prohibition, Vizcaya was anything but a dry estate. Archival purchase records and letters tell us that James Deering bought thousands of dollars’ worth of alcohol for Vizcaya and many original bottles remain in the collection today. Despite

Designing Vizcaya The design and construction of Vizcaya was a unique challenge. Instead of designing the house and then finding objects to complement it, as was usually done, Vizcaya was designed around objects selected by James Deering and his artistic director Paul Chalfin. The pair made several trips abroad to purchase objects before the house

By Elena Davila, Archives Digitization Intern If you have toured Vizcaya on a late afternoon, you may have been pleasantly surprised by the sound of music filling the home. The instrument responsible is the impressive pipe organ, located in the Living Room on the Northeast corner of the home, with its pipes housed directly behind

Through the artistic vision of Paul Chalfin, Vizcaya’s Artistic Director, these dragons were converted into electric lights, effectively merging aesthetics with utility. The dragons’ open mouths were outfitted with three lightbulbs and installed on the north and south sides of the second-floor galleries of the Main House. Conservation Treatment These fantastical light fixtures were recently

Mr. Deering’s Sitting Room graces the second floor of the Main House with its grandeur. Designed in the neoclassical style, the room exudes symmetry, rigid lines, and opulent gilding, reminiscent of the 1750s European aesthetic associated with Napoleon Bonaparte. This style also extends to other rooms, including James Deering’s bedroom, creating an aura of timeless

Introduction to Romanticism Movement During the 18th century, an artistic movement known as Romanticism spread throughout Europe, seeking to evoke an idealized world of rural simplicity in contrast to the urban, industrialized centers of the cities. This nostalgic vision of a peaceful countryside was expressed through various art forms, including oil paintings and lead garden

Gaston Lachaise Lachaise (1882–1935) joined the Vizcaya project in mid-1920 as the formal gardens were nearing completion. A prominent sculptor, he was commissioned to create sculptural work on top of decorative columns for the Marine Garden. This garden marked the transition from the formal gardens to the more natural and wild Lagoon Gardens that no

Marine Garden, Peacock Bridge and Wrought-Iron Fence   In 1922, one hundred years ago, James Deering (1859-1925) witnessed the culmination of years in making Vizcaya’s gardens. The grand vision for his winter haven, developed on 180 acres along the shoreline on Biscayne Bay, was the product of a collaborative partnership. Voluminous correspondence in Vizcaya’s archives sheds

Every year, Vizcaya receives thousands of visitors who are intrigued by the array of historical décor and objects of centuries past. Upon entering the Entrance Hall, they are greeted by a pair of ornamental vases that Vizcaya’s patron, James Deering (1859-1925), acquired in July of 1916. Both marble objects are modeled after celebrated antique vases

The candelabra found in Vizcaya’s Living Room is an interesting object. It is mainly composed of 11 stackable elements, the oldest of which dates from the first or second century A.D., and later pieces from as late as the seventeenth or eighteenth centuries. Researchers have also identified it as one of the ancient marvels found