With Vizcaya’s open-air construction, Deering created a space that felt like an extension of the surrounding environment. Was the addition of tropical birds at the end of his third season in the Main House just his way of furthering that sense, or did he desire the companionship of them as pets?

“A SUFFICIENT NUMBER TO MAKE A CHEERFUL AND NOT DEAFENING SOUND.”

A letter with yellow writing on it.

Letter: May 2, 1916
From: James Deering, Vizcaya’s Owner
To: Paul Chalfin, Vizcaya’s Artistic Director

Dear Mr. Chalfin:

Assuming that we have two macaws on the perches in the general southern part of the courtyard, what would you think of having a cage with a few canaries in the northwest part of the arcade, near the door. I mean just a sufficient number to make a cheerful and not a deafening sound. What would you think further of having in the northeast part of the arcade a cage of paroquets. None of these make much noise, unless it is the canaries, and as before stated I would not have enough of them to make a serious noise.

Mr. Matheson has a lot of paroquets on the key and if I understood or remember what he said, he has some hope of reestablishing them in this part of the world, where the trees were once full of them.
Yours sincerely,
JD

Copy JD.

“SECOND MACAW IS FADING AWAY”

A letter from the western union telegram.

Telegram: April, 1918
From: James Deering, Vizcaya’s Owner
To: Paul Chalfin, Vizcaya’s Artistic Director

Second macaw is fading away will not eat cause believed to be death of companion of lack of society if you can send one please do so quickly.
JD
448 PM

Why did James Deering want to bring birds into an open-air structure? Does it surprise you that he felt birds were important in the Main House?
A drawing of a building with a clock on it.
Paul Chalfin’s Sketch: Proposed Cages for Macaws, 1919
Ask James Deering...

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